PMW 2023-058 by Kenneth L. Gentry, Jr. 
In this short series I will be providing insights into John’s method of presenting his material in Revelation. My commentary on Revelation should be out this Fall. [1] It will be titled: The Divorce of Israel: A Redemptive-historical Approach to Revelation. Thus, I understand Revelation as involving God’s divorcing of Israel as his (old covenant) wife as he takes a new bride (the new covenant church).
I will build the case for Revelation as a drama involving God’s relationship to Israel in this three-part series. So, let us begin by noting that it is presented as a drama.
Scholarly Notices
A growing number of scholars suggest that “the basic format of the book — a pageant of visions — draws on the theatrical model of a succession of scenes” (DBI 714). For instance, Smalley (1994: 105) suggests that “if we interpret the Apocalypse in its entirety as a drama, this is, given the nature of John’s material, a natural and uncomplicated exercise. Revelation lends itself to such an interpretation.”
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PMW 2023-031 by Kenneth L. Gentry, Jr.
PMW 2023-030 by Kenneth L. Gentry, Jr.
PMW 2023-029 by Kenneth L. Gentry, Jr.
Some readers of Revelation are perplexed as to why 12 squared times 1000 is significant to the original readers in the 144,000? What is at about that number that would lead the original readers to think, ‘Oh that’s a number signifying a perfect amount of Jewish converts?’”
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