TERRY ON JOHN IN PATMOS

John on Patmos 2PMW 2023-064 by Milton Terry

GENTRY INTRODUCTION
This study is taken from Milton S. Terry’s, The Apocalypse of John. Terry was an excellent scholar and historian. This material should be helpful for Revelation enthusiasts.

JOHN ON PATMOS

Why Was John on Patmos?

John’s own testimony is that he “was in the island which is called Patmos on account of the word of God and the testimony of Jesus” (Rev. 1:9). The phrase “on account of the word of God” (διὰ τὸν λόγον του θεου; dia ton logon tou theou), according to the well-established usage of διὰ (dia) with the accusative, means for the sake of the word. It gives the ground or reason for what is stated. So in chapter 2:3, it is said: “Thou didst endure for my name’s sake;” that is, the great objective reason for the endurance in the midst of trials was devotion to the name of Christ. So again in 4:11: “On account of thy will they were and were created;” that is, all things were brought into existence because that was the will of God. The same meaning inheres in this formula in 6:9; 7:15; 12:11,12; 13:14; 18:8, 10, 15; 20:4. Now, according to 1:2, “the word of God and the testimony of Jesus” are no other than this Revelation concerning all things which John saw. Continue reading

FULLNESS OF TIME & NEW CREATION

RidderbosPMW 2023-063 by Herman Ridderbos

GENTRY INTRODUCTION

The following material is taken from Ridderbos’ important work: Paul: An Outline of His Theology (pp. 44ff). Some of his footnotes have been omitted as unnecessary for my present concern. I highly recommend that my readers study Herman Ridderbos, Geerhardus Vos, and Richard B. Gaffin, Jr. as insightful biblical scholars (even though they are amillennial).

RIDDERBOS EXPLICATION

The extent . . . to which Paul saw the advent and work of Christ as revelation of the fulfilling activity of God in history and as the breaking through of the great time of salvation can immediately be demonstrated on the basis of a number of typical pronouncements from his epistles.

Galatians 4:4

What is said in Galatians 4:4 of “the fullness of the time” and in Ephesians 1:10 of “the fulness of the times” is surely of special important:

“but when the fullness of the time came, God sent forth his Son.”

“the mystery of his [God’s] will …, unto a dispensation of the fullness of the times, to sum up all things in Christ, the things in the heavens, and the things upon earth.” Continue reading

BAHNSEN ON “THIS AGE”

Bahnsen teachingPMW 2023-062 by Greg L. Bahnsen

GENTRY INTRODUCTORY NOTE
I am currently researching material for a new book. I will be dealing the two-age structure of redemptive history. I will be explaining its significance, not only for understanding the Olivet Discourse properly (due to Matt. 24:3), but even the whole New Testament.

I am seeing several Christians writers who are publishing materials showing that they do not understand the concept of “this age” and “the age to come” in the New Testament. This has led them to make serious errors in their theological ramblings.

In this posting, I will be presenting a snippet from Greg Bahnsen’s book Victory in Jesus (131–32). My interest is in Bahnsen’s affirmation of the two-age structure of redemptive history, which recognizes (as do most biblical scholars and Greek lexicographers) that “age” (aion) can be interchangeable with “world” (kosmos). Continue reading

THE MERCHANTS IN REVELATION

PMW 2023-061 by Kenneth L. Gentry, Jr.ancient merchants

In that I believe Revelation is dealing primarily with God’s judgment of Israel and her temple, I must explain certain images that seem to contradict this view. The “merchants of the earth” in Revelation 18 is just one such passage.

Rome or Jerusalem?

In Revelation 18:3 we read: the merchants of the earth have become rich by the wealth of her sensuality. Beale and others see this as referring to Rome’s extravagant luxury through trade, and the temptations that flow from it throughout the empire (Beale 895-96; Mounce 326; Royalty passim; Witherington 226; Smalley 445).

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REVELATION AS A DIVORCE COURT DRAMA

Divorce decree 5PMW 2023-060 by Kenneth L. Gentry, Jr.

In my last two postings I engaged a brief series on John’s method of presenting his material in Revelation. I have noted thus that John is presenting his material as a drama. Though it is not intended as an acted drama, it is designed as a oral one — as I noted in my first article. But it is also cast as a forensic drama, which is set in a court. In this my final article, I will focus on the nature of the court in view.

We must remember that in the OT Israel is the covenantal wife of Jehovah God and he is her “husband” (Jer 31:32). Oftentimes the prophets mention the marital relation between God and Israel. Thus, when Israel chases after foreign gods she is committing spiritual “adultery” against her husband (Isa. 50:1b; Jer 3:20; Eze 16:31–32; Hos 1:2; 9:1, 10; Mal 2:11). The prophets then act as God’s lawyers, bringing a covenantal lawsuit against her with the hope of calling her back to her husband. When God chastens her with destruction or exile, the lawsuit pattern serves to demonstrate that “Yahweh’s punishment is righteous, and not an expression of arbitrary wrath” (Nielsen 33).
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REVELATION AS A COURT-ROOM DRAMA

PMW 2023-059 by Kenneth L. Gentry, Jr.God as judge

In my last posting I opened a brief series on John’s method of presenting his material in Revelation. Therein I noted that John is presenting his material as a drama. Though it is not intended as an acted drama, it is designed as a oral one — as I noted in my last article. Now we focus a little more tightly on the method of his drama.

Revelation’s Forensic Tone

Revelation is a moving drama with a specific theme: it is a courtroom drama employing language and images appropriate to the “lawcourt” (Caird 17–18). Witherington (14, 265) notes that “the judicial or forensic tone of Revelation has often been noted” by scholars — even in the seven oracles (Revelation 2–3). And “the majority of the book of Revelation . . . involves forensic rhetoric.” Fiorenza (1998: 47) provides more explanation: “the description of God’s judgment takes up such a large space in Rev. that its whole eschatological presentation culminates in judgment and salvation. Just as the seven visions of the plagues and the ‘small scroll’ climax in an announcement or a portrayal of judgment, so does the whole book.” Fekkes (78) agrees: “The subject of judgment is the single most dominant interest in Revelation, and accordingly the use of thematic analogues from the OT likewise finds its greatest development in this area.” DeSilva (2009: 89) points out that “Revelation’s focus on God’s judgment and the narration of the process of that judgment predisposes these scholars to see the text as forensic discourse. This is a story in which books are opened, witnesses step forward, charges are voiced, and justice meted out.”
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REVELATION AS A DRAMA

PMW 2023-058 by Kenneth L. Gentry, Jr. Greek drama

In this short series I will be providing insights into John’s method of presenting his material in Revelation. My commentary on Revelation should be out this Fall. [1] It will be titled: The Divorce of Israel: A Redemptive-historical Approach to Revelation. Thus, I understand Revelation as involving God’s divorcing of Israel as his (old covenant) wife as he takes a new bride (the new covenant church).

I will build the case for Revelation as a drama involving God’s relationship to Israel in this three-part series. So, let us begin by noting that it is presented as a drama.

Scholarly Notices

A growing number of scholars suggest that “the basic format of the book — a pageant of visions — draws on the theatrical model of a succession of scenes” (DBI 714). For instance, Smalley (1994: 105) suggests that “if we interpret the Apocalypse in its entirety as a drama, this is, given the nature of John’s material, a natural and uncomplicated exercise. Revelation lends itself to such an interpretation.”
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