PMW 2025-051 by Kenneth L. Gentry, Jr.
This is my second in a two-part, rather extensive series introducing Genesis. We now move on to consider its:
Genre
Moses was a gifted writer, as both the careful structure of Genesis as a whole and the exalted prose of Genesis 1 particularly testify. He was also quite capable of writing compelling poetry; in fact, and he did so frequently, both in Genesis (e.g., 2:23; 3:14–19; 12:1–3; 27:27–29; 49:2–27) and elsewhere (e.g., Exo. 15:1–8; Num. 6:24–26; Deut. 32:1–43; Psa. 90). But what is the basic genre of Genesis?
The content and structure of Genesis show that he wrote in narrative, historical prose. This is expected in that Israel possessed a factual, real-world oriented faith. As noted above, Genesis serves as the prologue to the Pentateuch. This is significant in that the Pentateuch is a lengthy narrative of the historical formation of Israel as a nation. Genesis would be useless for its purposes if we discount its historicity. Scholars do not doubt the basic historical nature of his genre in Exodus through Deuteronomy, even when they dispute its accuracy. And only a few scholars from critical schools of thought doubt his historical intent in Genesis 12–50. Nor do we have any evidence of a genre shift in the historical narratives from Genesis through the rest of the Pentateuch. Continue reading







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